A Designer of Outstanding Originality Is the Designer Who Can See Much in Nature (1914)

“The Editorial Point of View: Design in Teaching,” “Plate 5: Six Interpretations of a Composite Flower,” School Arts 13 (April 1914): 562

Good-Bye Mistress Friendly-Soul (1914)

Mary Johnston, The Witch (Toronto: William Briggs, 1914), frontispiece.

“I Guess You Don’t Get out of Much Work by Getting Married,” Sonia Offered (1914)

Winona Godfrey, “The Dancing Partner,” Illustration by Louis Rogers, Sunset 33 (October 1914): 767.

It Had Draped Arms Extended (1914)

E.W. Hornung, “One Possessed: The Crime Doctor Solves the Mystery of the Brown Devils,” Illustrations by Frederic Dorr Steele, Everybody’s Magazine 30 (February 1914): 281.

How to Cook and Why (1914)

Elizabeth Condit and Jessie Ann Long, How to Cook and Why (New York and London: Harper and Brothers Publishers, 1914), 159.

Familiarity Will Accustom the Limbs and Body to the Mechanism of the Steps (1914)

Troy and Margret West Kinney,  demonstrated by John Murray Anderson, Social Dancing To-Day (New York: Frederick Stokes Company, 1914), 6.

Suddenly She Flung One Arm up and out in Such a Strange and Splendid Gesture of Such Free and Desperate Passion, as Herrick Had Never Seen Before (1914)

Virginia Tracy, “Persons Unknown,” Illustrated by Henry Raleigh, Everybody’s Magazine 30 (April 1914): 435.

“Well, Well, Boys!” Thomas Brackett, Immaculate in Dinner Clothes, Stood Regarding Them from the Doorway. Tommy’s Manner Was Always Elderly and Superior When He Found Them Rough-Housing. He Invariably Fled from a Rough-House, Especially on a Hot Night, as He Would from the Breath of Scandal. (1914)

James Shelley Hamilton and Frank Leon Smith, “Once Over,” Illustration by Fanny Munsell, Everybody’s Magazine 31 (October 1914): 483.

His Head Fell against the Rose-Patterned Carpet of the Lodging-House Room. Diana, Raising Her Arched Neck, Calmly Stared at Something beyond the Wall of the Room (1915)

Richard Washburn Child, “The Feminist,” Illustrated by George Gibbs, Cosmopolitan 58. (February 1915): 231.

“Good Day,” Said the Scarecrow (1914)

Peter Clark Macfarlane, “Clown and Superclown,” Everybody’s Magazine 30 (March 1914): 399.

Tell Me What You’re Really Afraid Of (1914)

Virginia Tracy, “Persons Unknown,” Illustration by Henry Raleigh, Everybody’s Magazine  30 (June 1914): 779.

They Sealed a Bond of Partnership That Was to Stand the Shocks and Strains of Their World for Eighteen Years and Gives yet No Sign of Breaking (1914)

Peter Clark Macfarlane, “Clown and Superclown,” Everybody’s Magazine 30 (March 1914): 406.

You Have Kept Me in a Dungeon for Four Years without Any Air or Light or Happiness or Hope (1914)

Lloyd Osbourne,  “Major Bronquard of the Army,” Illustrations by Aurthur William Brown, Everybody’s Magazine 30 (January to June 1914): 77.

Pressed Against the Rail, His Lank Body Leaning Far Forward, One Lean Arm Extended and Holding a Smoking Pistol, Was the Gaut Grim Figure of a Man (1914)

Hugh Johnson, “The Octoroon, ” Illustrated by Maynard Dixon, Sunset 33 (July 1914): 88.

If You Sound an Alarm I Shall Shoot (1914)

Grant Carpenter, “Tales of Old Chinatown, II. The Boy Girl,” Illustrated by Arthur Cahill, Sunset 33 (November 1914): 939.

The Mermaid and the Boy (1914)

Andrew Lang, ed. "The Mermaid and the Boy." Andrew Lang's Brown Fairy Book. (London: Longmans, Green, and Company, 1914).

For the First Time in Their Lives They Meditated upon the Unusual (1914)

Mary E. Wilkin's Freeman. "Criss-cross." Illustration by Walter Biggs. Harper's Monthly Magazine 129. (August 1914).

The Roof Is Settling Down Into the Goaf (1914)

T.C. Cantrill. Coal Mining. (Cambridge University Press, 1914).

Woman Carrying Coal in the British Isles (1914)

S.A. Taylor. "The Advancement in Bituminous Coal Mining. Proceedings of the Engineers' Society of Western Pennsylvania  29. (January 1914).

Waiting for the Performance to Begin (1914)

Max Dillae. Reveries of a Circus Clown. (Fairbury, Nebraska: The Wilson Press, 1914).