The Birds Were Asleep, Except for Old Solomon Caw (1912)

“Peter Pan,” illustrated by Frederick Richardson. Harriet Taylor Treadwell and Margaret Free, Second Reader, Adapted and Graded (Chicago: Row, Peterson, and Co., 1912),  173.

The Kiln at Dale Was Situated Just Outside the Abbey Gate-House (1890)

John Ward. “Notes on Encaustic Tiles, Dell Abbey and Morely, Derbyshire.” The Reliquary Quarterly 4 (Jan.–Oct. 1890): 220.

Not Forgetting the Little Songsters of the Wood, Who Cluster at Our Window (1882)

Rev. W. Walters, “Lessons of the Snow,” Frank Leslie’s Sunday Magazine 11 (January 1882): 137.

This Is the Rook / Reading His Book (1862)

“The Death and Burial of Poor Cock Robin,” Routledge’s Nursery Picture Book (London: Routledge, Warne, and Routledge, 1862), 28.

This Magazine, Being Designed as a Means for the Interchange of Notes and Observations on Birds, Appeals for Its Support to All Who Are Interested in That Department of Natural History (1887)

Ornithologist and Oölogist 12 (1887): title page.

The Work Must of Necessity Be Covered; This Naturally Suggests Glass, Which, in Turn, Suggests Passe-Partout Work (1916)

“Tea Tiles of Filet Crochet Showing Use of Passe-Partout Work,” Home Needlework Magazine 16 (April 1916): 21.

Pupils of Fawcett School, Panel with Swans (1921)

Keramic Studio: A Magazine for the Student of Design, China Painter and Potter 23 (April 1922): 214.

The Designs of Animals, Birds, Men, Etc., Are First Outlined in Blue, Reserved in the White Tin Enamel Ground, and Surrounded by Dark Blue Enamel Thickly Applied (1915)

No. 53 Maiolica Tile, 4 ¾ x 4 ¾, Puebla, Mexico, 1650 –1700, Exhibition of Tiles (Philadelphia: Pennsylvania Museum, 1915), 19.

In Decorative Design, Birds Are Favorite Motives (1900)

John S. Clark, Mary Dana Hicks, Walter S. Perry,  Teacher’s Manual Part IV for the Prang Elementary Course in Art Instruction, Books 11–12, Eighth Year (Boston: The Prang Educational Company, 1900), 198.

Every Single One a Prehistoric Nightmare (1913)

Hamilton Mack Laing, Out with the Birds (New York: Outing Publishing Company, 1913), 187

Head and Tail Pieces: No. 2904, $1.25 (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cut 2094.

The Rook, Who Was Passing, Had Joined Them on the Lime Tree Bough, and Together the Three Friends Watched the Sun Setting, and Wondered Where the Swallows Had Got to by That Time (1881)

Mrs. Frederick Locker, What the Blackbird Said: A Story in Four Chirps (London: R. Clay, Sons, and Taylor, 1881), 84.

Cuts Are Sent by Mail Pre-Paid on Receipt of List Price (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cuts 1649, 1842, and 1843.

Just as the Different Sewing Machines Can Be Made to Embroider so Can a Typewriter Be Made to Draw (1892)

“Point of View: Mechanical Pictures,” Business 12 (February 1892): 33. 

Both Start like Lightning from the Fist (1886)

E.B. Michell, “Modern Falconry,” Illustrated by George E. Lodge, The English Illustrated Magazine 3 (July 1886): 661.

He Waited with Praiseworthy Patience in Order That Nothing Might Weaken the Impression He Intended to Produce (1878)

 “Hope’s Secret, and How It Was Found Out,” Sunshine (August 1878): 113.

When Lighthouses, on Rocks and Headlands, Showed Solitary and Watchful; And Benighted Sea-Birds Breasted on against Their Ponderous Lanterns and Fell Dead (1891)

Charles Dickens, The Haunted Man and the Ghost's Bargain: A Fancy for Christmas-Time, Illustration by C. Stanfield, R.A. (London: George Routledge and Sons, Limited, 1891), 14.

The Swan Was Seized by the Pike and Both Were Found Dead (1899)

R.B. Marston, “Big Pike Stories,” Illustrated by C. Whymper and A. Barraud, The Harmsworth Monthly Pictorial Magazine 2 (February to July 1899): 223.

Winter (1877)

G.H. Boughton, Winter, “Contemporary Art in England,” Harper’s New Monthly Magazine 54 (January 1877): 161.

Caught (1871)

Cassell's Illustrated Almanac for 1871. (London: Cassell, Petter, & Galpin, 1871).