The Dog on the Grave of His Master in the Louvre (1830)

Le chien sur le tombeau de son maître au Louvre, Dessin à la plume et lavis à l'encre brune sur traits à la mine de plomb, 14.5 x 10.7 cm, (1830), Bibliothèque nationale de France, département Estampes et photographie, RESERVE FOL-VE-53 (E).

The Dying Favorite (1858)

“The Dying Favorite,” Drawn by J. Brown. Engraved by A.L. Dick. Arthur’s Illustrated Home Magazine 11 (January 1858): 62.

All Efforts to Save the Poor Dog’s Life Were Fruitless; And He Died, a Victim of Devotion (1898)

“A Noble Animal,” Every Other Sunday 14 (September 1998): 12.

I Hastened to Assure the Young Lady that Long Knowledge of the Subtle Ways of Big Dogs Led Me to the Course of Action She Was Good Enough to Commend in Me (1885)

“Wyvern Moat,” Harper’s New Monthly Magazine 72 (December 1885): 82.

“Mein Lieber Himmel! Es Ist Jammer’s Geist!” He Cried & Fell over Backward in a Swoon (1890)

Edwin Lassetter Bynner, “Jammer’s Ghost,” Harper’s Young People 40 (March 25, 1890): 349.

Max Pushed Himself Relentlessly into His Master’s Suffering as He Sank on the Bank under the Apple-Blossoms (1919)

Phyllis Bottome, “A Servant of Reality,” Illustration by Norman Price, The Century Magazine 98 (October 1919): 829.

In the Great Thirst Land, the Poor Animal Lifted up His Voice so as To Pierce the Air (1900)

Hezekiah Butterworth, Traveller Tales of South Africa or Stories Which Picture Recent History (Boston: Dana Estes and Company, 1900), 217.

“Come Here, Boby,” I Said, and Stooped to Pet Him . . . and No Dog Was There! (1921)

Camille Flammarion, “Do Dogs Have Souls? Some Experiences with the Ghosts of Dogs,” Hearst’s International 40 (October 1919): 40.

They Always Went through the Same Gestures, with the Same Object. The Tin Dog Would Say "Woof," Then a Ball of Twine Would Fly Out of His Mouth and Wrap Itself around My Hands and Legs and Throat—(1919)

Joseph Hergesheimer, “The Meeker Ritual: II,” The Century Magazine 98 (October 1919): 739.