Eighty Miles an Hour: 590 of the Burlington Road on the Run out from Chicago (1899)

Cleveland Moffett, “At Ninety Miles an Hour,” McClure’s Magazine 12 (April 1899): 485.

When a Wreck Is Connected with the Shore by Means of a Rope, a Traveling Cradle Is Made, and, so Long as the Rope Holds, Lives Can Be Saved (1904)

P.T. McGrath, “An Ocean Graveyard: Stories of Wrecks and Rescues on the Newfoundland Coast,” Pearson’s Magazine 17 (January 1904): 14.

In General There Is a Feeling of Great Security in the Water (1896)

Emily Nunn Whitman, “The Zoölogical Station at Naples, The Century  32 ( August 1886):793.

The Ink of the Cuttle Fish Is a Favourite Pigment Used in Water Colour Painting under the Name of Sepia (1882)

“The Cuttlefish,” The Home Visitor and District Companion: an Illustrated Magazine 9 (1882): frontispiece.

Not a Soul outside the Narrow Limits of the Cabin Had a Clue That a Diver Had Entered the Water (1919)

Kenneth L. Aitken, “From the Admiralty Files,” Illustrations by George Avison, The Century 99 (December 1919): 249.

“Kindly Excuse Me,” He Said with the Utmost Politeness, and the Splash Immediately Followed (1920)

Karl Wisehart, “Hunger,” Illustration by Ernest Fuhr, The Century 99 (Feb 1920): 493.

He Sent the Gentle Stranger Hurtling through the Air (1896)

W.W. Jacobs, “A Black Affair,” Illustrated by W.O. Bowman, The Idler 9 (April 1896): 410.

In Walks the Little Dog, Says “Pussy! Are You There?” (1922)

Beatrix Potter, Cecil Parsley’s Nursery Rhymes (New York: Frederick Warne and Company, 1922), 39.

You Are in Disgrace You Know, and in the Corner You Must Go (1886)

Lizzie Lawson and Robert Ellice Mack, Christmas Roses (London: Griffith, Farran and Company, 1886), 18.

The Cat Is, Is (1896)

The New Vertical Script Primer (New York: Potter and Putnam, 1896), 4.