The Swan, The Vulture (1820)

Infant’s Cabinet of Birds and Beasts (London: Harvey and Darton, 1820).

Pupils of Fawcett School, Panel with Swans (1921)

Keramic Studio: A Magazine for the Student of Design, China Painter and Potter 23 (April 1922): 214.

The Designs of Animals, Birds, Men, Etc., Are First Outlined in Blue, Reserved in the White Tin Enamel Ground, and Surrounded by Dark Blue Enamel Thickly Applied (1915)

No. 53 Maiolica Tile, 4 ¾ x 4 ¾, Puebla, Mexico, 1650 –1700, Exhibition of Tiles (Philadelphia: Pennsylvania Museum, 1915), 19.

In Decorative Design, Birds Are Favorite Motives (1900)

John S. Clark, Mary Dana Hicks, Walter S. Perry,  Teacher’s Manual Part IV for the Prang Elementary Course in Art Instruction, Books 11–12, Eighth Year (Boston: The Prang Educational Company, 1900), 198.

Every Single One a Prehistoric Nightmare (1913)

Hamilton Mack Laing, Out with the Birds (New York: Outing Publishing Company, 1913), 187

Head and Tail Pieces: No. 2904, $1.25 (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cut 2094.

The Rook, Who Was Passing, Had Joined Them on the Lime Tree Bough, and Together the Three Friends Watched the Sun Setting, and Wondered Where the Swallows Had Got to by That Time (1881)

Mrs. Frederick Locker, What the Blackbird Said: A Story in Four Chirps (London: R. Clay, Sons, and Taylor, 1881), 84.

Cuts Are Sent by Mail Pre-Paid on Receipt of List Price (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cuts 1649, 1842, and 1843.

Just as the Different Sewing Machines Can Be Made to Embroider so Can a Typewriter Be Made to Draw (1892)

“Point of View: Mechanical Pictures,” Business 12 (February 1892): 33. 

Both Start like Lightning from the Fist (1886)

E.B. Michell, “Modern Falconry,” Illustrated by George E. Lodge, The English Illustrated Magazine 3 (July 1886): 661.