Useful Cookery Hints for Every Joint (1920)

Cuts of Meat and How to Use Them (Montreal: Stanford’s Limited, 1920), cover.

Men May Almost Be Said to Be “Walking Bumps,” or More or Less Perfect Living Exponents of Each of the Prominent Phrenological Organs (1870)

Phrenological Journal and Life Illustrated, new series 1 (March 1870): cover.

A Collection of Tried Receipts (1905)

The Hebrew Day Nursery, Pots, Pans, and Pie Plates & How to Use Them: A Collection of Tried Receipts (Baltimore: The Lord Baltimore Press, 1905), cover.

At Last the Worm Uncoiled Itself, Snorted Its Last Foam of Blood and Fire, and Rolled Dying into the River, and Was Never Seen More (1894)

Joseph Jacobs, ed., “The Lambton Worm,” More English Fairy Tales, Illustrated by John D. Batten (London: David Nutt, 1894), 202.

“No,” Says the Bull Calf, “I’m Going across the Field, into the Wild-Wood Wilderness Country, Where There’ll Be Tigers, Leopards, Wolves, Monkeys, and a Fiery Dragon, and I’ll Kill Them All except the Fiery Dragon, and He’ll Kill Me.” (1894)

Joseph Jacobs, ed.,“The Little Bull-Calf,”  More English Fairy Tales, Illustrated by John D. Batten (London: David Nutt, 1894), 174.

The Dragon, Being Quite Intoxicated, Threw Himself on the Ground, and Fell Fast Asleep (1847)

Fortunio, Illustrated by J.W. (Edinburgh and London: William Blackwood and Sons, 1847), 14.

In Order to Bring the Combat to a Speedy Conclusion, Bogoris Aimed a Powerful Stroke at the Heads of the Monster, Which Would Assuredly Have Separated Both from the Trunk, and so Have Extirpated the Sorcerer and All Remembrance of Him from the Earth, if the Sylant, at the Very Moment the Stroke Fell, Had Not Soared into the Air (1850)

Anthony Reubens Montalba, “The Dragon Giant and His Stone Steed” Fairy Tales from All Nations. Twenty-four Illustrations by Richard Doyle (New York: Harper and Brother, 1850), 144. 

The Savage Fairies Set Their Dragon on the King, and It Devoured Him before My Very Eyes (1892)

The Fairy Tales of Madame D'Aulnoy, Newly Done Into English With an Introduction by Ann Thackery Ritchie, Illustrated by Clinton Peters (London: Lawrence and Bullen, 1868), 373.

Grasping a Branch Which Overhung the Edge, the Brave Young Champion Stooped Down and Kissed the Hideous Monster (1884)

Alfred C. Fryer, Book of English Fairy Tales from the North-Country (London: W. Swan. Sonnenschein & Company, 1884), 91.

And at One Sup / He Eat Them Up / As One Should Eat an Apple (1878)

Llewellynn Jewett, “The Dragon of Wantley and the Family of Moore,” Illustration is a facsimile of original woodcut from the broadsheet “An Excellent Ballad of that most Dreadful COMBATE FOUGHT Between Moore of Moore hall and the Dragon of Wantley To a Pleasant Tune much in Request,”  The Reliquary 18 (April 1878): plate 16.

No. 1. Extra Large Double Dragon Ink (1884)

Winsor and Newton’s Catalogue of Colours and Materials for Water Colour Painting, Pencil, Chalk, and Architectural Drawing (London: Winsor & Newton, Limited, 1884), 22.

The Dragon Ship Was Glittering in the Bay (1888)

Elizabeth Jane Oswald, The Dragon of the North: A Tale of the Normans in Italy (London: Seeley and Co., 1888), frontispiece.

At the Point Where the Scales Were Parted, the Sword Struck into the Neck, and the Pent-up Flames Burst through the Wound at the Side, so That Siegfried Was Now Safe from Them. The Little Dwarf Crept Quickly out of the Wound (1848)

Illustrated by Wilhelm Kaulbach,  The Heroic Life and Exploits of Siegfried the Dragon Slayer: An Old German Story (London: Joseph Cundall and David Bogue, 1848), 108.

“And by the Lizard's Spawn,” (At Which Uncanny Oath Agnes Herself Grew Creepy), “It Is What Men and Moles Think, Not What Things Are, That Makes All the Rift Betwixt Popes and Peasants.” (1903)

William Stearns Davis, The Saint of the Dragon’s Dale (New York: The McMillan Company, 1903), cover.

And There Was a War in Heaven (1886)

Adolphe Napoléon Didron, translated from the French by E.J. Millington, completed with additions and appendices by Margaret Stokes, “St. Michael and the Dragon,” Christian Iconography;or the History of Christian Art in the Middle Ages. Vol II. The Trinity: Angels: Devils: Death: The Soul: The Christian Scheme: Appendices (London: George Bell and Sons, 1886), 185.

All Dread to Anger the Dragon (1880)

Mrs. E.W. Latimer. “St. George and the Dragon.” St. Nicholas 7 (April 1880): 496.

How About It? (1933)

“The Interior Court of the Hall of Science by Night, Brilliantly Illuminated by Indirect Colored Flood Lights,” (Chicago: Max Rigot Selling Co., 1933).

Arrived in Chicago after 30 Consecutive Hours of Riding (1933)

“Pylons Hall of Science and Science Bridge,” World’s Fair, Chicago 1933 (Chicago: J.O. Stoll Co., 1933).

Ma Is No Better or No Worse (1907)

Postcard. “Night on the Lagoon. Jackson Park, Chicago, Ill.” (Chicago & Lepsig: Alfred Helmann, circa 1907).

This Is the Rook / Reading His Book (1862)

“The Death and Burial of Poor Cock Robin,” Routledge’s Nursery Picture Book (London: Routledge, Warne, and Routledge, 1862), 28.

This Magazine, Being Designed as a Means for the Interchange of Notes and Observations on Birds, Appeals for Its Support to All Who Are Interested in That Department of Natural History (1887)

Ornithologist and Oölogist 12 (1887): title page.

The Work Must of Necessity Be Covered; This Naturally Suggests Glass, Which, in Turn, Suggests Passe-Partout Work (1916)

“Tea Tiles of Filet Crochet Showing Use of Passe-Partout Work,” Home Needlework Magazine 16 (April 1916): 21.

The Swan, The Vulture (1820)

Infant’s Cabinet of Birds and Beasts (London: Harvey and Darton, 1820).

Pupils of Fawcett School, Panel with Swans (1921)

Keramic Studio: A Magazine for the Student of Design, China Painter and Potter 23 (April 1922): 214.

The Designs of Animals, Birds, Men, Etc., Are First Outlined in Blue, Reserved in the White Tin Enamel Ground, and Surrounded by Dark Blue Enamel Thickly Applied (1915)

No. 53 Maiolica Tile, 4 ¾ x 4 ¾, Puebla, Mexico, 1650 –1700, Exhibition of Tiles (Philadelphia: Pennsylvania Museum, 1915), 19.

In Decorative Design, Birds Are Favorite Motives (1900)

John S. Clark, Mary Dana Hicks, Walter S. Perry,  Teacher’s Manual Part IV for the Prang Elementary Course in Art Instruction, Books 11–12, Eighth Year (Boston: The Prang Educational Company, 1900), 198.

Every Single One a Prehistoric Nightmare (1913)

Hamilton Mack Laing, Out with the Birds (New York: Outing Publishing Company, 1913), 187

Head and Tail Pieces: No. 2904, $1.25 (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cut 2094.

The Rook, Who Was Passing, Had Joined Them on the Lime Tree Bough, and Together the Three Friends Watched the Sun Setting, and Wondered Where the Swallows Had Got to by That Time (1881)

Mrs. Frederick Locker, What the Blackbird Said: A Story in Four Chirps (London: R. Clay, Sons, and Taylor, 1881), 84.

Cuts Are Sent by Mail Pre-Paid on Receipt of List Price (1888)

The Seventeenth Book of Specimens from the Cincinnati Type Foundry (1888): cuts 1649, 1842, and 1843.

Just as the Different Sewing Machines Can Be Made to Embroider so Can a Typewriter Be Made to Draw (1892)

“Point of View: Mechanical Pictures,” Business 12 (February 1892): 33. 

Both Start like Lightning from the Fist (1886)

E.B. Michell, “Modern Falconry,” Illustrated by George E. Lodge, The English Illustrated Magazine 3 (July 1886): 661.

Dancing, Which Is Now Profane, Was Once a Sacred Pastime (1834)

My Daughter's Book: Containing a Selection of Approved Readings in Literature, Science, and Art, Adapted to the Formation of the Character of Woman (London: Baldwin and Cradock, 1834), 241

Before Her Highness, Surprising Feats of Agility in Goings, Turnings, Tumblings, Castings, Hops, Jumps, Leaps, Skips, Springs, Gambauds, Somersaults, Caprettings, and Flights Forward, Backward, Sideways, Downward, Upward, and with Sundry Windings, Gyrings, and Circumflections (1801)

Joseph Strutt, The Sports and Pastimes of the People of England: from the Earliest Period, Including the Rural and Domestic Recreations, May Games, Mummeries, Pageants, Processions and Pompous Spectacles Illustrated by Reproductions of Ancient Paintings in Which Are Represented Most of the Popular Diversions, A New Addition, Much Enlarged and Corrected by J. Charles Cox (London: Methuen and Company, 1801), 177.

The Shoots Are of a Pale Yellow Colour, and the Shredded Leaves Fall like a Fringe Round the Thighs (1895)

Lilly Grove, Dancing, with Musical Examples (London: Longman, Green, and Company, 1895), 86.

La Russe, or the Allies, at Tivoli (1898)

Gaston Vullier, Illustrated by Joseph Grego, History of Dancing from the Earliest Ages to Our Own Times (New York: D. Appleton and Company, 1898), 315.

Bohemian Polka (1890)

M.B. Gilbert, Round Dancing (Portland, Maine: M.B. Gilbert, 1890), 54.

The Extended Arms and the Lady's Hand Grasping the Gentleman's Arm Are Not in Good Taste (1885)

Allen Dodsworth, Dancing and Its Relations to Education and Social Life: With a New Method of Instruction (New York: Harper and Brothers, 1885), 275.

False Positions (1892)

Edward Scott, Dancing as an Art and Pastime (London: George Bell and Sons, 1892), 29.

Sometimes the Jig is Danced Before the March (1864)

Thomas Hillgrove, A Complete Practical Guide to the Art of Dancing: Containing Descriptions of All Fashionable and Approved Dances, Full Directions for Calling the Figures, the Amount of Music Required; Hints on Etiquette, the Toilet, etc. (New York: Dick and Fitzgerald, 1864), 89.

Defects of the Physical Construction of the Bow-Legged and Close-Legged Dancer (1830)

C. Blasis, translated by R. Barton, The Code of Terpsichore: The Art of Dancing (London: Edward Bull, 1830), plate III.

The Skirt Dance Has Unfortunately Gone down to the Wretched and Utterly Contemptible Level of the “Ta-Ra-Ra-Boom-De-Ay” (1895)

Lilly Grove, Dancing, with Musical Examples (London: Longman, Green, and Company, 1895), 6.

Among the Most Important Rudiments of the Terpsichorean Art (1859)

Edward Ferrero, The Art of Dancing, Historically Illustrated: to Which Is Added a Few Hints on Etiquette; Also, the Figures, Music, and Necessary Instruction for the Performance of the Most Modern and Approved Dances, as Executed at the Private Academies of the Author (New York: Published by the Author, 1859), 118.

Familiarity Will Accustom the Limbs and Body to the Mechanism of the Steps (1914)

Troy and Margret West Kinney,  demonstrated by John Murray Anderson, Social Dancing To-Day (New York: Frederick Stokes Company, 1914), 6.

Then Every Man Began / to Foot It Round about / and Every Girl Did Jet It, Jet It, / Jet It in and out (1882)

Illustrated by G.A. Konstam, E. Cassella, and N. Cassella, The Maypole (London: Thomas De La Rue & Company, 1882), 10.

Cato, with a Loud Bark and a Growl, Seized the Throat of the Gipsy Who Was Stripping Harry (1858)

I Won’t and I Will (London: William Tegg and Company, 1858), 24.